The business and art of content — music, film, TV, live events, and digital media. Tinsel covers the productions, launches, creative decisions, and industry shifts redefining how entertainment gets made and consumed.
Jane Fonda put the Paramount-Warner Bros. deal on blast after the Oscars when she walked the red carpet at the Vanity Fair Oscar Party wearing a “Block the Merger” pin. Fonda, a two-time Oscar winner, is firmly against Paramount’s purchase of Warner Bros., and her decision to speak out after the Osc
RZA says there have been tears as Wu-Tang Clan announces its farewell tour. The group that revolutionized hip-hop's business model is finally admitting what solo careers proved decades ago: the collective was always temporary.
Netflix, in one of its biggest-ever acquisitions, reportedly will pay up to $600 million for InterPositive, the AI filmmaking tools start-up founded by Ben Affleck. Affleck and InterPositive’s investors will earn as much as $600 million from the Netflix deal if the company meets “certain performance
The FBI issued a drone threat warning ahead of this year's Oscars. Hollywood's biggest night is no longer just a celebrity spectacle — it's a potential geopolitical target.
Spielberg's dinosaur doc might look like every other big-budget natural history show, but its real strategy is Morgan Freeman's voice—prestige TV's most reliable insurance policy.
Hulu's yacht rock comedy Double Or Nothing reveals how streaming platforms have turned niche music subcultures into a predictable development formula — one that rewards recognition over revelation.
Jamal Sims will direct 'Major' for 20th Century Studios, joining the small group of choreographers who've made the leap to feature directing — a path that remains frustratingly rare despite decades of proven creative leadership.
Kathryn Hahn confirmed her casting as Mother Gothel in Disney's live-action Tangled remake, continuing the studio's strategy of using Emmy-credentialed TV actors to legitimize its IP recycling machine.
Lionsgate scheduled limited premium-format early screenings for Michael two days before its wide release. The strategy reveals how studios extract maximum revenue from event films when they're not confident the buzz will last.
Panama is positioning itself as a co-production hub at Málaga Film Festival with new incentives in development. The move reveals how Latin American countries are competing in the global subsidy arms race as studios chase tax breaks.
Alan Ritchson's War Machine hit 39.3 million views in three days on Netflix — but the platform's model still can't replicate what theatrical releases did for action heroes.
Christopher Nolan is adapting The Odyssey. Greta Gerwig is directing Narnia. Emerald Fennell is remaking Wuthering Heights with Margot Robbie. Here's what to read now — before the trailers drop.
True crime dominates streaming because it asks the questions fiction can't: what actually happened, who failed to stop it, and what does it say about the rest of us? These are the ones worth the time.
Netflix has 302 million subscribers. Disney+ is profitable. Warner Bros. Discovery is selling itself. Here's who's winning the streaming wars, who's losing, and what it means for the shows you watch.
Method acting has produced some of cinema's greatest performances — and some of its most absurd on-set behavior. Here's how the technique actually works, who invented it, and why the backlash is growing.
From a Questlove-directed Sly Stone portrait to the making of 'We Are the World,' these are the music documentaries that go beyond the biography and into the work.