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Wig, Flip Phone, Attitude: Inside the Sue Dillon Lookalike Awards

The internet is campaigning, hard, to be crowned the best fake version of TikTok's favorite fake gas station clerk. The trophies are real. Sue is not.

Sue Dillon in her signature mullet wig and cigarette earrings, holding a swaddled baby
Sue Dillon

It is Sunday night, six o'clock Central, and Sue Dillon's TikTok LIVE is packed, which is normal. What is less normal is that the woman in the mullet doing Sue's gravelly "honey" for the room is a complete stranger. She requested to join as a guest, clipped on a pair of bedazzled cigarette earrings, flipped open a phone older than half the chat, and started taking orders at a gas station that has never existed. The room goes feral. Somewhere in the comments, somebody pledges all six of their daily votes to her on the spot.

Welcome to the 2026 Sue Dillon Lookalike Awards, the most committed campaign season on the internet right now.

The rules are beautiful in their simplicity. Dress up like Sue. Take a photo, costume on, filters off. Upload it to the wall at the official site, no account, no email, and in the site's own words, no dignity required. Then rally your people, because everyone gets six votes a day until October 31, and the top three lookalikes take home a real Sue Dillon trophy. Yes, a physical trophy. For dressing up as a woman who does not exist.

The Sue Dillon Lookalike Awards voting wall, with the top-ranked costume entry
Entries on the Wall of Fame

If you have somehow missed her, Sue Dillon is somewhere near seventy, chain-smokes, wears a mullet like it never went out of style, and works the eternal shift at a gas station that exists only on TikTok LIVE. Four nights a week she makes prank calls with such total commitment that real businesses stay on the line long past the point of reason, while an audience 1.3 million strong eggs her on. She is the creation of comedian Sarah Soda, a Tennessee nurse who built the character, the following, and the entire operation herself: no agent, no manager, just a wig and an alarming amount of conviction.

Which is what makes her, officially, contest material. The costume formula, per the Awards site, is three items long: wig, flip phone, attitude. That is the whole kit, and that is the point. Sue is drawn in details so specific you can put her on like a jacket, the earrings, the rasp, the customer service energy of a woman who stopped caring sometime during the Clinton administration. In comedy, being imitable is the highest compliment there is. Nobody holds a lookalike contest for a vibe.

And there is a grand tradition here. Legend holds that Charlie Chaplin once entered a Chaplin lookalike contest and lost. Dolly Parton swears she lost one to a drag queen. A couple of Halloweens ago, a Timothée Chalamet lookalike contest nearly shut down a corner of Manhattan. The rule underneath all of it: you get a lookalike contest when you stop belonging to yourself and start belonging to everyone. Sue Dillon, a character born on a live stream, has crossed over.

A Sue Dillon costume entry on the Lookalike Awards voting wall
An entry on the Wall of Fame

She picked a poetic moment to do it, too. The woman who built Sue is home with her newborn daughter right now, and Sue has barely missed a beat, because the audience picked up the shift. Every Sunday in October, the LIVE doubles as an open audition: anyone can join as a guest and do their best Sue for the whole room, partly for the love of it and partly, as the site cheerfully admits, as a shameless way to campaign for votes.

The Awards are produced by blu shift creative, the agency behind many of TikTok LIVE's most decorated performers, and the thinking behind them is old-fashioned showbusiness. "A great character belongs to the audience," says co-founder Ben Baldwin. "Sue proved that the first time somebody did her voice back at her. We just built her a stage door designed specifically for the LIVE streaming format"

If this sounds like a lot of production for a fictional gas station clerk, consider the stage she works on. TikTok LIVE has quietly become one of the biggest rooms in entertainment, a nightly world of shows, battles, and very real careers that Tinsel Magazine mapped in its recent field guide to battle season. Sue is one of its brightest stars, which makes her the first of its stars to acquire that final marker of icon status: strangers in wigs, competing to be her.

Sue herself, reached between shifts, had notes for the field. "They ain’t saggin’ enough! NEXT!!"

Entries close October 31, which happens to be the exact day the rest of the internet is googling easy Halloween costumes. Consider this your sign. The wig is cheap, the flip phone is in a drawer somewhere, and the attitude, let's be honest, you already have. Get on the wall. Sue's watching. Vote wisely.

Daniel de Castellane

Daniel de Castellane

Daniel de Castellane is a Culture Editor covering art, digital platforms, and contemporary society. With a background in media and consumer psychology, his work explores cultural movements, emerging trends, and the figures shaping modern life.

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