Tinsel Magazine's editorial staff reports on culture, entertainment, fashion, internet, art, and style — with an LA lens and an eye for the structural stories most outlets miss. Writers and contributors join us by pitch: contributors@tinselmag.com.
Anthropic's Project Glasswing brought together Apple, Google, and 45+ organizations to test whether AI can be secured collectively — the labs racing to build AGI just admitted they can't contain it alone.
I want every single item.
Charlie Covell is adapting Kate Moennig and Leisha Hailey's bestselling friendship memoir into a series at Amazon MGM Studios. The L Word stars will play themselves — because Hollywood stopped writing queer stories for them, so they built their own IP instead.
London gallery to undergo biggest transformation in its 200-year history, with Kengo Kuma’s design called ‘exemplary’ The National Gallery has announced that its largest and most significant transformation since its formation 200 years ago will be designed by the Japanese architect behind Tokyo’s Ol
Santiago's Violeta Parra Museum reopens four years after protesters burned it during Chile's 2020 social unrest. Enhanced security solves the immediate problem—but not the trust gap that made it a target.
Jake Schreier hired Lee Sung Jin and Joanna Calo to write the X-Men reboot—Marvel's clearest signal yet that prestige TV's emotional infrastructure now matters more than spectacle.
Trump's 47-story Miami library with a giant golden statue doesn't pretend to serve history—it just admits what every presidential monument actually is.
Sadie Coles HQ, London From holiday snaps to atrocities, Throbbing Gristle album covers to backsides in shorts, the Polish painter reproduces the scattered attention and flattened perspective of our social media age Wilhelm Sasnal has transformed the ground floor of Sadie Coles’ elegant gallery into
Lionsgate's Michael Jackson biopic is tracking for a $55M-$60M opening, poised to break the musical biopic box office record — even as the subject's contested legacy looms over the release.
BritBox's U.S.-first commissioning strategy turned 'Lynley' into a transatlantic hit—and revealed how streaming platforms owned by legacy broadcasters are quietly rewriting the economics of British television production.
From SZA sneaking out barefoot to Gwyneth Paltrow calling it "so un-fun," celebrities have mixed reviews of fashion's most glamorous night.
“There are a lot of reasons for people not to leave their homes and go to the theater,” Will Packer, the veteran producer behind an extensive collection of beloved crossover hits like Think Like a Man, Ride Along, Girls Trip, and Night School, explains from his home office in Atlanta. “Gas prices ar
Don Worley built one of the largest mass-tort law firms in the country, then walked away. Now he runs Second Chance Pictures with six films in production at once — and he doesn't need Hollywood's permission.
Amazon and Mattel are launching a Masters of the Universe game the same day the theatrical release hits theaters — franchise owners now treat gaming as synchronized storytelling, not post-release merchandising.
The newest Spider-Man trailer sparked celebration because Peter Parker looks broke and miserable again—a reaction that exposes how Marvel's decade of wealth porn changed what audiences demand from superhero stories.
Armando Bo, the Oscar-winning co-writer of Birdman, is launching Latin America's first vertical series platform. When prestige filmmakers start building for 9:16, the format wars are over.