Eric Lusito's new book documents the monumental architecture of Soviet research institutes—structures built to symbolize progress that outlasted the ideology that commissioned them.
Gagosian is showing three major Francis Bacon paintings in Paris this spring—not London, not New York. The location choice signals where European collectors now set the auction floor for blue-chip postwar art.
London gallery to undergo biggest transformation in its 200-year history, with Kengo Kuma’s design called ‘exemplary’ The National Gallery has announced that its largest and most significant transformation since its formation 200 years ago will be designed by the Japanese architect behind Tokyo’s Ol
Santiago's Violeta Parra Museum reopens four years after protesters burned it during Chile's 2020 social unrest. Enhanced security solves the immediate problem—but not the trust gap that made it a target.
Trump's 47-story Miami library with a giant golden statue doesn't pretend to serve history—it just admits what every presidential monument actually is.
Sadie Coles HQ, London From holiday snaps to atrocities, Throbbing Gristle album covers to backsides in shorts, the Polish painter reproduces the scattered attention and flattened perspective of our social media age Wilhelm Sasnal has transformed the ground floor of Sadie Coles’ elegant gallery into
Italian police are searching for $10M in Impressionist works stolen from a small museum outside Parma. The heist exposes how increased security at major institutions has only redirected theft to more vulnerable regional collections.
Georges Seurat's Channel coast seascapes weren't vacation work—they were a deliberate escape from the studio discipline that defined his career, and a model for sustainable creative labor.
Belgian designer Jacques Averna built electric guitars shaped like clouds, fried eggs, and padlocks. They're designed to be seen, not heard — and that's the problem.
With K-pop dominating headlines—especially following K-Pop Demon Hunters’ win for best animated film at the 2026 Oscars—the genre is now making art world inroads. Beloved K-pop boyband BTS performed their new single, Swim, at the Guggenheim Museum in New York for a segment on The Tonight Show with J
Anne Imhof's first Asian solo exhibition arrives in Hong Kong in 2027—a city that spent the last decade building the institutional foundation performance art never had in the region.
Santiago's Chaco art fair positions affordable political work as a market strategy—making accessibility the premium rather than the compromise.
Carmen C. Bambach spent years negotiating Raphael loans that institutions guard 'like the firstborn heir of the royal family.' The Met's exhibition reveals how museum diplomacy works at the highest level—and who has the power to make it happen.
Misan Harriman's Hope 93 gallery exhibition brings together seven years of protest photography—work that circulated on Instagram before it reached any gallery wall. It's proof that social media-native artists are successfully translating platform visibility into institutional credibility.
Alexander Elkholm's new exhibition captures queer London at rest, not in resistance—a shift that marks one of the most significant transformations in LGBTQ+ visual culture, and raises questions about who gets to make quiet work.
CONDUCTOR opens in Brooklyn April 30 as New York's first "global majority" art fair — but the progressive framing obscures a straightforward commercial bet on undervalued markets.