TikTok's newest wellness villain is office air quality. But the 'glow-down' meme isn't about HVAC systems — it's about how desk jobs make people physically miserable, and blaming ventilation is easier than confronting labor conditions.
Companies hope that biometric age-verification tech in cartridges could put flavored vapes back in business. But it's unlikely to solve the real problems.
Zootopia 2 pulled in 32 million Disney+ views in its first week after a $1.86B theatrical run. Disney's theatrical-to-streaming playbook is extracting maximum value at every stage of the IP lifecycle.
Alexis Bittar reacquired his jewelry brand and launched a viral social media series. His move from product designer to content producer is the blueprint for how independent creatives monetize attention when retail can't scale.
Anne Imhof's first Asian solo exhibition arrives in Hong Kong in 2027—a city that spent the last decade building the institutional foundation performance art never had in the region.
Santiago's Chaco art fair positions affordable political work as a market strategy—making accessibility the premium rather than the compromise.
A landmark court ruling finds Meta and Google liable for mental health harm caused by algorithmic design — the first time platforms can't hide behind Section 230 when their systems cause documented damage.
Misan Harriman's Hope 93 gallery exhibition brings together seven years of protest photography—work that circulated on Instagram before it reached any gallery wall. It's proof that social media-native artists are successfully translating platform visibility into institutional credibility.
EXCLUSIVE: The Age Of Adaline co-writer Salvador Paskowitz is teaming with business partner Timothy “Timo” Nelligan to launch microdrama outfit Super Punchy Studios. The company’s first vertical title, Step By Step, stars short-form drama talent including Nicole Mattox, Seth Edeen, Molly Anderson, a
The season-ending episode “Yellow Thong Bikini,” which follows a 71-year-old nudist OnlyFans creator, is bleak, hopeful, and completely insane.
Dodger Stadium's Uniqlo naming deal marks the moment retail brands officially became cultural infrastructure — and nobody seems upset about it.
“I love when a celebrity has an unpolished-yet-correct response like this because it feels like they actually mean it.” View Entire Post ›
Davis Burleson's move from TikTok to hosting two SiriusXM radio shows signals that legacy media finally understands the difference between follower counts and real audience loyalty—and knows it has to hire what it can't build.
Disney heard the backlash over Dwayne Johnson's wig in the live-action Moana and decided it didn't matter. The studio has either learned to ignore social media noise—or discovered it doesn't affect ticket sales.
DreamWorks' Forgotten Island, starring H.E.R. and Liza Soberano, treats Filipino folklore as franchise-worthy IP with a full theatrical release and tentpole marketing — Southeast Asian mythology just graduated from diversity checkbox to studio bet.
Audiences are protective of the classics they love, but still long for new films that capture that same sense of comfort. View Entire Post ›