Alexander Elkholm's new exhibition captures queer London at rest, not in resistance—a shift that marks one of the most significant transformations in LGBTQ+ visual culture, and raises questions about who gets to make quiet work.
CONDUCTOR opens in Brooklyn April 30 as New York's first "global majority" art fair — but the progressive framing obscures a straightforward commercial bet on undervalued markets.
Gaggl is hiring digital creators to host TV formats designed for audiences whose storytelling fluency comes from Fortnite and Twitch, not Friends. Backed by Fremantle, it's rethinking how television works when the host is the format.
“Stranger Things” fans will soon be able to return to Hawkins through a whole new medium. Arrow Films and Netflix have teamed up to release “Stranger Things: The Complete Series” for Blu-Ray and 4K UHD, available for pre-order now. Releasing on July 27 in the UK and July 28 in the U.S. and Canada, t
Peter Thompson, the West End publicist who made Cats, Phantom, and Les Misérables into global phenomena, died at 81. His career defined an era when Broadway publicity was a craft, not an algorithm.
The fashion designer and artist is reviving an existing concept by designing a booth that looks like her home, and inviting 44 friends to fill the store.
Zach Bryan paid $12.1 million for Jack Kerouac's On the Road scroll manuscript — then donated it to public display. It's country music's latest move to build cultural credibility beyond Nashville.
CBS News Radio is shutting down after nearly a century. The closure reveals how legacy media is dismantling the infrastructure that built its credibility — because trust doesn't scale like content.
Kotohayokozawa's Fall 2026 collection shows Tokyo's emerging designers building Japanese minimalism as a business strategy — prioritizing craft over virality and customer loyalty over algorithmic engagement.
Lily Allen's West End Girl show traded spectacle for theatrical intimacy, building a concert experience around emotional catharsis. It's the model pop stars are betting on now.
Nathan Fillion and Alan Tudyk's Firefly animated series is in advanced development — without studio backing. The revival shows how creator-owned IP can finally bypass traditional gatekeepers.
McDonald's All-American Game documentary on Prime Video shows how brands are funding prestige storytelling to bypass advertising skepticism — and why streaming platforms are the perfect distribution partners.
A Filmart panel made it clear: international co-production isn't about expansion anymore — it's survival. With AI disrupting production and box office returns unpredictable, the era of solo-financed tentpoles is over.
The doctors at the fictional Pittsburgh Trauma Medical Center will be getting an infusion of cash from the California Film Commission when they return for Season 3 of “The Pitt.” The show, which films in Burbank, will get $24.2 million in state subsidies, up from the $12.2 million awarded for each o
MBC Group's 28.5% revenue jump to $1.43 billion, driven by its Shahid streaming platform, shows how Middle Eastern broadcasters are using local content as infrastructure strategy against Netflix and Disney+.
Netflix's Adolescence landed 11 BAFTA TV nominations months after fading from cultural conversation — proof that awards momentum outlasts zeitgeist moments when you engineer a show for trophies, not longevity.
