Sadie Coles HQ, London From holiday snaps to atrocities, Throbbing Gristle album covers to backsides in shorts, the Polish painter reproduces the scattered attention and flattened perspective of our social media age Wilhelm Sasnal has transformed the ground floor of Sadie Coles’ elegant gallery into
Lionsgate's Michael Jackson biopic is tracking for a $55M-$60M opening, poised to break the musical biopic box office record — even as the subject's contested legacy looms over the release.
BritBox's U.S.-first commissioning strategy turned 'Lynley' into a transatlantic hit—and revealed how streaming platforms owned by legacy broadcasters are quietly rewriting the economics of British television production.
From SZA sneaking out barefoot to Gwyneth Paltrow calling it "so un-fun," celebrities have mixed reviews of fashion's most glamorous night.
“There are a lot of reasons for people not to leave their homes and go to the theater,” Will Packer, the veteran producer behind an extensive collection of beloved crossover hits like Think Like a Man, Ride Along, Girls Trip, and Night School, explains from his home office in Atlanta. “Gas prices ar
Don Worley built one of the largest mass-tort law firms in the country, then walked away. Now he runs Second Chance Pictures with six films in production at once — and he doesn't need Hollywood's permission.
Amazon and Mattel are launching a Masters of the Universe game the same day the theatrical release hits theaters — franchise owners now treat gaming as synchronized storytelling, not post-release merchandising.
The newest Spider-Man trailer sparked celebration because Peter Parker looks broke and miserable again—a reaction that exposes how Marvel's decade of wealth porn changed what audiences demand from superhero stories.
Armando Bo, the Oscar-winning co-writer of Birdman, is launching Latin America's first vertical series platform. When prestige filmmakers start building for 9:16, the format wars are over.
John Galliano's Fall 2026 collection for Maison Margiela is conceptually brilliant and commercially impossible. The question is whether the fashion industry still has the patience—or the business model—for clothes that refuse to be functional.
Nexstar and Tegna told a federal court they can't fully comply with an order halting their $6.2 billion merger—revealing how local TV consolidation now moves faster than the legal system designed to regulate it.
Plan B Europe hired Maria Fleischer from Sony and Charlie Silver from House Productions—Hollywood studios are finally building permanent European infrastructure instead of just chasing tax credits.
Susan Fang's Fall 2026 collection premiered in Shanghai with the production values and international attention that used to require a European runway. Chinese designers are building global brands on domestic infrastructure—and Western approval is optional now.
Andreas Kronthaler's latest collection for Vivienne Westwood mines the brand's greatest hits—but heritage punk faces a structural problem: the rebellion it's selling has already been archived and monetized.
Warner Music's acquisition of Revelator isn't a pivot toward serving independent artists—it's a concession that the majors can't compete without the tools indies already built.
Anthropic's claim that Claude contains "functional emotions" is a rhetorical strategy designed to reframe computation as something closer to human cognition—and justify AI's positioning as a replacement, not a tool.
